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The Beat Thang features 13 velocity sensitive pads in a piano octave layout. Beat Kangz Beat Thang Ever since the Beat Thang was first announced back in , there has been a lot of speculative chatter about it on forums, mainly due to its over-hyped marketing campaign. As a result, many thought is was just ‘vapourware’. Thankfully, the Beat Thang hardware is very much real.
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Tag: audio sampler

The Beat Thang features 13 velocity sensitive pads in a piano octave layout. Beat Kangz Beat Thang Ever since the Beat Thang was first announced back in , there has been a lot of speculative chatter about it on forums, mainly due to its over-hyped marketing campaign. As a result, many thought is was just ‘vapourware’.

Thankfully, the Beat Thang hardware is very much real. And it’s built like a tank! Read more: Roland TDKV with KD-A22 “Sound-wise, the onboard kits and instruments are geared towards hip-hop production and there are some great patterns onboard.

The blue backlighting is over the top but very practical for on stage with the ‘Blang’ button controlling its level.

No joke. Meanwhile the built-in rechargeable Lithium-Ion battery which can give the Beat Thang up to six hours of use without mains power means it can be used anywhere. As far as the Beat Thang’s user interface goes, it’s a mixed bag. The fixed angle colour LCD screen is easy to read but there’s no brightness control and the arrow-shaped pads which are laid out in a piano-style octave and remind us of the Ensoniq ASR-X are very responsive and register even the smallest tap, but they’re so close together it’s a little too easy to hit more than one at a time.

Strangely, there is no main front panel volume dial – all the volume options are sadly hidden under the volume menu, which disrupts workflow. Kit editing Now onto the main modes.

You can assign up to 16 layers sounds to every pad, which gives you a lot of scope plus note polyphony. Each pad can also have its own delay, reverb and ‘freak’ send level. Instrument mode is the same as Kit mode but deals with pitched instruments mapped across the pads. It’s easy to sample one note and spin it out across several octaves using the keyspan feature.

It’s the beat Sound-wise, the onboard kits and instruments are geared towards hip-hop production and there are some great patterns onboard. Many suffer from clicky sample end points too. There are some nice strings, basses and hits onboard though and the signal path is very quiet, meaning that if you load it up with your own kits and sounds they sound great when blasted back. Samples can be 16 or bit and patterns can be exported to your DAW as audio using the ‘export’ function.

You can access up to eight banks of 13 sounds from the bank buttons here too, enabling you to access a vast range of sounds, especially if you have an external hard drive, USB flash drive or SD card s connected with your sounds on. Sequencer Creating a new pattern is simple enough.

Select one, set the number of bars and time signature and off you go. Each track can have its own loop length and you also change the time signature on the fly, to twist things up. One criticism here though is that the click sound can’t be changed and it often gets lost when you are recording even when the volume is maxed. It also has a unique variable PPQ feature for getting a more accurate or sloppy feel, while the continuously variable swing percentage is less restrictive than the set percentage values on an MPC.

Last but not least, there are roll and hold functions. Roll is like the MPC’s note repeat and dependent on the quantise value , while ‘hold’ loops any sound continuously.

The biggest downside here is that there is no step edit mode, though we’re told this is coming. Right now as it stands, detailed event-level editing of data within a pattern is non-existent. Song Mode facilitates pattern chaining to form song structures – something familiar to most MPC users – and it’s very simple in operation and works well. Simply add a pattern to the list and tell the Beat Thang to loop it for as many bars as you wish.

Sampling While the presets on offer are obviously designed to entice young urban producers, it’s the sampling side that makes the Beat Thang into a versatile production tool. There’s MB of RAM standard and sampling is simple, though if you want to do stereo sampling you’ll need a stereo lead, as there are no separate left and right inputs on the back.

To sample, press the sample button, create a new sample preset, set the input level, record arm and press play to start sampling. You can then save the sample and process it using normalisation, trim, reverse, time stretch, pitch-shifting or automatically slice the sample into pieces using ‘Autochop’ then map the pieces onto the pads.

This all works pretty smoothly and the time stretch and pitch-shift algorithms sound good. Although resampling is listed on the specs, it doesn’t appear as a menu option currently.

Effects tricks FX-wise, there are four main types onboard, which are built on open source code so third parties could eventually make effects for the Beat Thang. The effects are a little mediocre and disappointingly, switching them into the signal path often causes clicks. The ‘freak’ button deals with modulation effects such as flangers, phasers and amp emulations the tube amp particularly sounds great plus low-pass, band-pass, high-pass, low-shelf, high-shelf and notch filters.

Here’s the Thang The Beat Thang does the job and can sound great particularly when using your own samples but little niggles make it frustrating. For starters it takes 40 seconds to start up, plus it can take 10 seconds to load a new kit or pattern. We also found ourselves having to use the exit button a lot when we simply wanted to change from one mode to another and I sometimes encountered hanging notes when changing banks.

Instead you have to turn the data dial, scroll through the list, press the data wheel and then select a new sound. There’s also no screen notification to reassure that things have saved. However, a software update would fix most of these gripes. Again we can only speculate that a raft of fixes is on the way. Right now, though, Beat Thang doesn’t offer enough deeper features, high quality workhorse sounds, or slick enough workflow to make it a must-buy. The best of MusicRadar in your inbox Don’t miss the latest deals, news, reviews, features and tutorials No spam, we promise.

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About this product

This was not merely an attempt to feel cool enough to beat the thang. Stepping from no blang right up to total retina burn-out, repeated presses of this button provide enough illumination options to satisfy boring old farts and loosely-trousered youths alike. Any surviving Knight Rider fans will probably relish the retro backlit grille, while everyone else sits back to admire the 3. Inputs are better catered for. Adjusting the level involves pressing the ‘Volumes’ button, then using the encoders, which is far from ideal.

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Feb 12, Overview The Beat Thang Mobile Production Studio by Beat Kangz is a portable music-creation device which allows users to arrange and. Mar 18, Ever since the Beat Thang was first announced back in , there has been a lot of speculative chatter about it on forums, mainly due to its. 年12月29日 Beat thang virtual cpu app test6.isp.regruhosting.ru for the beatkangz beat thang mobile music production test6.isp.regruhosting.ru make original beats means simply.

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