VideoStudio Pro X6 Ultimate Review
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Overview Consumer-grade video editing software has the nearly impossible job of leading an amateur through the steps required to perform some of the most difficult creative tasks one can do with a computer. Corel VideoStudio Pro X6 is the latest rendition of one of the leading alternative video editors to market share leader Adobe Premiere. Since it may not be the pros who choose VSP first, I put the product through its paces to see whether amateurs can embrace it.
Corel VideoStudio Pro X6 220.127.116.11 PortAble Free Download Full Version
Overview Consumer-grade video editing software has the nearly impossible job of leading an amateur through the steps required to perform some of the most difficult creative tasks one can do with a computer. Corel VideoStudio Pro X6 is the latest rendition of one of the leading alternative video editors to market share leader Adobe Premiere. Since it may not be the pros who choose VSP first, I put the product through its paces to see whether amateurs can embrace it. Ever since it acquired both Paint Shop Pro from Jasc and WordPerfect from Novell, Corel has done an admirable job of presenting well-priced alternatives, even if they are not necessarily superior to their respective market leaders.
The sofware offers good rendering performance with snappy speed. Even the slower features never slow to a crawl. As one example, some of the tools you need are in a menu, some are on the timeline, and some are on the playback display. To be fair, however, all video editing software products in this space seem to present some kinds of tradeoffs between features, performance, design and usability.
If you think about this for a moment, how many vacation videos do you have where you literally tried to identify what you were shooting by putting your pointing finger in the frame? Also, the Ultimate bundle features a titling plug-in familiar to many Premiere users called Boris Graffiti 6, which mixes graphic effects with anti-aliased rendering to produce truly broadcast-quality titles.
Great Feature Set First and foremost, though, I need tools to help stabilize and compensate for a shaky image. Of the many things that I will always be an amateur at, videography is at or near the top of the list. The problem with lightweight video cameras especially smartphones is that they shake right along with the natural jitters of the cameraperson, which in my case are a raging sea.
The way an auto-stabilizer works on a video camera is by optically zooming the image just slightly and leaving margins just outside the shooting frame. These image stabilizers prove my point. Here, you see a strange, cyan spaghetti-like track, superimposed upon a scene where my daughter is singing in the choir.
For expanded views of the screenshots at right, please click on the images. Then you can slide the scene from that point back into the center.
VideoStudio calculates the appropriate amount of adjustment for all the frames in-between. Even with my jitters — which on some days rival one of those coin-operated, motel vibrating beds — the results are impressive. It analyzes a clip and does zooming and compensation for you, within limits which you set in advance. For my test, I chose a three-minute clip which a professional editor might otherwise declare a waste of memory. The frame-by-frame analysis takes a few minutes; on my quad-core Intel Core i5-based test system, the three-minute clip took seven minutes, which is quite reasonable.
The Mercalli filter is so smart about its results that it lets you test them first, in a side-by-side analysis. Notice that the choir singers on the right are slightly zoomed in, and are a tad fuzzier.
If the sacrifice is too much, you can go back, dial down the effect, and try again. The default layout looks pretty much standard, with the review screen in the upper left quarter, the selections in the upper right quarter, and the timeline along the bottom.
One of the things that made versions 3 through 5 of CorelDRAW among the best pieces of software ever produced, was that its consistent and compact usage model. You only had to do a minimum of things to get the program to do what you wanted for example, subdividing a line into equally-sized segments was something you could do with the mouse without even touching a menu.
Yet the need to get bullet-point and gold-star features of the product up front led to inconsistencies in later renditions. Trimming an excerpt from a clip is something you would expect to be able to do with a menu command, or with an obvious set of buttons.
Intuition tells the skilled user that you bookend the excerpt on both sides and trim it with the scissors. To trim a video, the instructions begin, you drag the scrubber to one point and click the scissors button. That splits the clip into two in the timeline. Then you select the one you want to delete and press Delete on the keyboard.
Presumably you make two cuts, then manually delete the first and third clips from both sides of the one you want to keep. If you follow these instructions, presumably nothing. As it turns out, these might be the instructions for trimming a video with only one clip. A veteran editor might think the following: If you drag one edge of the clip in the timeline, the dragged portion can be automatically trimmed.
And what do you know? That does actually work. Suppose you want to use this feature to trim your video to a precise point. When you use the trim markers in the display to note where that point is, VSP marks the region between the beginning and the end with an orange line.
That makes sense. Intuition says you then drag the edges of the clip so that they match the orange line. Which means it now denotes a completely different segment of the video, not at all where you placed them.
But clips in the video track snap to the ends of one another automatically. The way to create black space is to go into the color swatches and drag the color black as a clip into the main video track. Now, you can overlap the edges of clips by dragging the boundaries of one into another one.
VSP has transition styles, many of which are quite extraordinary. But a random transition is about as welcome as a random background color or a random frame size. The way to change that random transition is through a buried drop-down list on one of the Preferences tabs. I wonder where that idea came from? A great many folks still use digital video cameras where the storage medium is built into the camera, and the only way to get video out of there is through a capture procedure.
Modern cameras that support 32 GB SD cards, or even higher capacity, will save you the headaches of tethering video to yourself — a process that makes one imagine that he or she is in a Marconi wireless room waiting for reports from stricken freighters. Not once. In my opinion, not quite yet. Cloud-based software has yet to provide performance advantages for tasks that are best conducted with local hardware, and at the top of my list of those tasks is video rendering.
Faster and easier video editing software
Average rating: The program comes with hundreds of special effects, titles and transitions. A set of high quality audio utilities is included as well. Corel VideoStudio Pro includes the brand new 4 angle Multi-Camera Editor which enables you to cover all the angles and apply use audio-improving options in order to obtain the best quality possible. The application offers more than special effects which will enable you to better express yourself. Customizable templates and titles are also available. The application allows you to use various functions, such as Stop Motion, Freeze Frame, multi-point Motion Tracking, and many more.
VIDEO: Corel VideoStudio Pro X6 PortAble Free Download Full Version « Andriod Zone & Softwares
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