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Want a new drum sound to replace one already recorded on an audio track? Just insert the Drumagog plug-in and try out a selection in real time. The publicity material for Drumagog simply states that it “Automatically replaces drum tracks with a variety of samples”.
drumagog free download

drumagog free download

Want a new drum sound to replace one already recorded on an audio track? Just insert the Drumagog plug-in and try out a selection in real time. The publicity material for Drumagog simply states that it “Automatically replaces drum tracks with a variety of samples”.

However, it’s a lot more versatile than that. Essentially, what Drumagog does is to detect whenever the level of an audio track exceeds a certain threshold, and each time this happens it triggers your choice of new sample. Various other applications have taken a similar approach to ‘slicing’ audio into beats: Propellerheads’ Recycle lets you manipulate the separate audio regions after slicing, by moving them in relation to each other to adapt to a new tempo, while BeatBurner PC Notes July triggers a sophisticated software synth to create melodies from the original rhythm.

Both are stand-alone applications, but where Drumagog scores is that it’s been designed as a DirectX plug-in, so that it can be used as an insert effect on an existing drum track, inside your choice of audio application. You can thus use it in real time to replace any recorded drum sound with a new one, all the while preserving the feel of the original drummer.

So far, so good, but what raises it way above novelty value is that its many extra functions can add the subtlety, variation, and random elements offered by a real drummer — so that as well as being able to sound like a drum machine if required, Drumagog can also transform drum tracks into living, breathing grooves with your choice of sounds, but still locked in perfect sync with the original.

Overview As a DirectX plug-in, Drumagog obviously only runs on PC at the present, but it is available in two versions: A VST version is also planned, while a Mac version might eventually appear as well.

You can download a free day demo version of DrumagogProfessional 3. Wide selection of drum sounds available, and it’s easy to import your own sounds. Capable of many more unusual effects from subtle to extreme. Occasional clicks using Stealth mode. Drumagog has four tabbed pages. The Main page is awash with controls, mostly for tweaking the triggering levels, although I found many tracks locked on perfectly after just a couple of tweaks to the default settings.

Sensitivity alters the threshold setting to accurately trigger each beat a red ‘LED’ flashes to indicate each successful trigger , while Resolution determines how long Drumagog waits after each one before allowing another.

This provides a fairly foolproof way to avoid dithery multiple triggering, but it can also be adjusted to trigger on alternate beats, or just on the first beat of each bar — ideal for beefing up an existing groove.

The latest version 3. A zoomed version of this window is also available to make the process clearer, and using these controls I found Drumagog easy to use and absolutely transparent in operation for straightforward single drum replacement. If you want to replace only one drum in a track containing a whole kit, there’s a pre-trigger filter offering low-pass, high-pass and band-pass modes to home in on the desired sound. It has an Audition mode to let you hear the post-filtered original sounds, and I successfully used this to isolate kick drums from snares.

However, its Level control is currently a little confusing to set up, and the low-pass mode could do with going down to Hz to isolate kick drums more easily, rather than the current Hz: There’s also the rather more sophisticated Stealth Mode, which allows incoming audio to be heard except when your replacement samples are triggered, crossfading it back in afterwards. With a little care, and a few adjustments to the Stealth Response and Crossfade times in the Advanced page, this works very well, allowing you to replace just one drum in a complete kit recording, although I did experience a few clicks with some source files.

Input and output levels can both be displayed on peak-reading meters, while those who prefer a more visual approach can replace these by a Drum Movie — a small AVI file showing a real drummer hitting the appropriate instrument in time with each trigger.

Sampling The Goods Drumagog supports dynamic multisamples with velocity layering, to give more expression and realism, and will accurately track incoming levels. You can adjust the new sound from soft to hard by altering the input level to the trigger, while the overall dynamics can also be varied using a rotary control in the Advanced page, or disabled altogether if required.

A masterstroke is that just as a real drum never sounds exactly the same each time you hit it, Drumagog also supports Random Multisamples — if you tick this box you’ll get a slightly different timbre each time, with suitably prepared sounds. For added realism, Drumagog supports Dynamic Multisamples for velocity-layering, Random Multisamples to add that human feel, and Positional Multisamples to dial in the perfect place to hit each instrument.

The downloadable demo of Drumagog comes complete with a single bass drum, snare, cymbal and tom sample set to get you started, but a comprehensive library of additional sounds is also available in two ways. Registered users have free access to the sample download area of the web site, or a few dollars extra depending on where you live , you can have Drumagog shipped to you on CD-R, complete with MB of additional drum samples, separated into four categories — Bass Drums, Cymbals, Snares and Toms — along with a page printed manual.

The library sounds are versatile and well recorded, and on my CD-R there were 53 bass drums, 83 snares and 69 toms, but just one hi-hat in the cymbals folder. Each category of sounds resides in its own folder, chosen from a drop-down menu at the top left of the Main page, while a scrolling list of sounds in the chosen category then appears below.

There are plenty of individual CR78, TR, TR, TR and ‘techno’ samples, but the remaining library has been sampled at eight velocity levels and with three sets of Random Multisamples, adding a great deal of expressiveness. Up to 48 samples can be stored within each GOG file, and the currently loaded one is displayed in the Samples page as a set of boxes whose colour represents the dynamic level.

Clicking on one of these boxes displays extra controls that let you audition each sample and allocate it a dynamic position in the set, either automatically from peak amplitude, or manually. Various fine-tuning features such as the Separation wheel let you fine-tune the grouping of samples, and while running the plug-in, the sample being currently played has its box highlighted, which makes things far easier to understand.

Five extra features are available to Pro version users, or you can buy them individually to add to DrumagogBasic: Positional Multisamples use the rotary Position control to let you choose where the stick strikes.

In the currently supplied library this only works with the hi-hat, and offers four alternatives from closed to open, but it could also for instance offer cymbal strikes from bell to edge, or different snare hits and rim shots.

Tracking Window is a simple rotary control that adjusts the accuracy of the main tracking algorithm. Higher values results in better volume tracking, but at the expense of higher latency. The default latency is 3. It also provides a latency compensation slider to pull audio and MIDI together, although I did find a slight audible delay on my synths even on its minimum 1.

Auto Sample Rate Conversion lets you use sounds using different sample rates from your project, but converts them during the import process so they can be used within Drumagog and saved within GOG files. Advanced Functions Drumagog’s third page is Ghost Notes, where you can add extra notes to your groove by selecting one of various patterns comprising grooves, fills, rolls, and double bass-drum hits.

As long as your track has a steady beat, its tempo can be extracted and the Lock LED will illuminate, or you enter its tempo manually.

Once locked, the extra beats can be added at any overall level, with user-defined level randomness. A Manual mode lets you activate the ghost notes only when you click on the large Engage button for spot effects, and with a little care it proved possible to achieve some very useful effects ranging from the odd extra thwack to jazz-style noodling between the beats. The Advanced page contains plenty of controls to help you optimise tracking, ducking of other instances of Drumagog, and triggering of external synths.

Apart from various functions available in the Pro version only see box, above , the Advanced page also contains the Dynamic Tracking, Stealth Response and Crossfade controls mentioned previously, while Polyphony can be set to 2, 4, 8, 16 the default setting , 32 or voices, or Choke. The latter is more suitable for cymbals, while the other settings are a trade off between increased CPU overhead and audible note-robbing, and can cope with anything from simple drum parts to fast rolls.

Although with care it’s possible to use Drumagog on a single stereo drum kit track, it’s far easier to launch separate instances for individual drum tracks, to optimise tracking. When you work like this, the various Auto Ducking controls help you to automatically drop levels in other channels when triggering occurs. Six groups are provided so that you can link multiple track pairs. Final Thoughts I was very impressed by Drumagog, particularly after I’d worked with it for some time.

Casual users will find it very easy for quick pre-recorded drum replacement, largely using the default settings, but after I’d perfected the use of the various tracking controls I found many other intriguing avenues to explore. You can even trigger Drumagog from a MIDI track if you assign it to a soft synth and then insert it as an effect. The only thing to watch out for is that, like any plug-in that uses a volume-tracking algorithm, it has a slight latency. The default for DrumagogBasic is just 3.

This is a subtle shift, but if you want to correct for it, it should be easy to move the treated tracks forward by exactly this amount in your sequencer. The current library includes a wide range of good drum sounds, but I’d like to see plenty more crash and ride cymbals, as well as some ethnic percussion, which should really work well with some of the Ghost Notes options.

However, I found importing samples and creating my own GOG files fairly easy, so this isn’t much of a restriction. Drumagog is an ideal tool when you want to spice up or reinforce existing drum recordings with new samples but retain their original feel, and it’s capable of seamless and professional results.

This makes it ideal for remixing and for cleaning up old multitrack recordings, or you could use it in a more experimental way, to trigger completely unrelated samples or MIDI sounds in the Pro version. It’s good to see that innovation is still alive and kicking!

Drumagog 5 Demo

The Slate Trigger patch has been created using the close mics, overheads and room mics. There are samples for the kick drum, snare and toms. You can choose to trigger the close mic, overhead or room samples. The samples in this patch have up to 24 velocity levels and five round robins. The Drumagog pack uses the same samples.

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The latest incarnation of Drumagog allows you to augment a real acoustic drum performance with the You also get the free (but very useable) NS10 Kit Free included as standard. Download and installation was easy (although I find the . Drumagog is the granddaddy of drum replacement tools, and it’s certainly hard to beat for quality and features. However it also costs several. Drumagog by WaveMachine Labs (@KVRAudio Product Listing): Drumagog automatically replaces drum tracks Version, Download, Released NS Kit Free.

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