[SOLVED] X2 Problem with Tone 2 Gladiator 2.4

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Available at http: Part of the appeal of that synth was its ease of use, but with that ease of use came a lack of flexibility that might be frustrating to hardcore sound designers. In brief, the updates include new waveforms, higher quality over-sampling , improved filters, additional unison modes, new effects, improved modulation capabilities, and more. Hooray for no dongles!
gladiator vst

45 Gladiator Vst Presets

Available at http: Part of the appeal of that synth was its ease of use, but with that ease of use came a lack of flexibility that might be frustrating to hardcore sound designers. In brief, the updates include new waveforms, higher quality over-sampling , improved filters, additional unison modes, new effects, improved modulation capabilities, and more. Hooray for no dongles!

I think this is the best way to learn a new synth, so I applaud their inclusion. A bug perhaps? HCM attempts to mimic this and apply it to synthetic sounds although it can do acoustic sounds, this is definitely not its strength. The result can be anything from a subtle, organic-sounding harmonic shift to more radical, artificial-sounding rhythmic loops and wavetable effects reminiscent of the PPG or Waldorf Microwave synths.

It is big, though. Perhaps the addition of a scroll bar or something to the interface for people using smaller screens might be a nice addition. As it is now, there was no way for me to see or reach the parameters at the bottom inch or so.

At the very top of the interface is the category and preset browser. These work about as you would expect and helpfully include an INIT button to initialize a new sound and a RANDOM button for generating random sounds as starting points to your own programs.

The results from this are generally quite good, although occasionally they resulted in either no sound at all, or dangerously loud sounds the manual recommends inserting a brick-wall limiter on the Gladiator 2 channel when you are using the RANDOM function. Next to this are settings for volume, quality for setting the amount of oversampling to prevent aliasing , FX MIX, and Microtuning which slightly detunes notes in a chord for a fatter and clearer sound.

There is also a HELP button here, but all it does is bring up a window telling you where the manual is. This seems rather pointless to me. This is all you see when you first open Gladiator 2, so if you want to get into making your own sounds, you need to hit the EDIT button which opens the rest of the interface allowing you access to all the sound programming controls.

There are far too many modifiers for me to list here, but suffice it to say that these can do anything from slight variations on the original timbre to all out sonic mangling. Just this ability alone expands the timbral possibilities nearly infinitely. Still more variety is available via a number of different options for combining the oscillators within a pair.

Of course you can simply mix them, as on a standard synth, but you can also have them combine only the odd harmonics of one wave with the even harmonics of another and a number of other less conventional methods. Cross-modulating with FM and AM is also available. Everything from playing through one to all manner of looping back and forth are available here. Although there is only one filter, there are over 40 different varieties to choose from standard low-pass, band-pass, and high-pass variations to vowel filters, comb filters, filter FM and all manner of other goodies.

The filters all sound excellent and impart a lot of character to the sounds. However, there is enough variety among the effects offered, that it is unlikely to make you feel like your hands are tied, and of course you can always apply external effects. This is essentially a basic 16 step analog sequencer where you shape the LFO by sliding each step up or down until you have created the pattern you desire.

UNISON acts about as you would expect, stacking several detuned voices at once for a bigger, thicker sound. Next door to this, we find the ARP, although merely calling it an arpeggiator really sells it short.

It is, for all practical purposes, an analog sequencer allowing you to define pitch intervals, velocity levels, and slides in between steps. This works pretty much as one would expect and provides enough sources and destinations to keep any programmer happy.

The presets are mostly trance-oriented, but this synth is so much more than that. Because of some of its more unconventional features, it can take a little while to get up and running with Gladiator 2, but honestly, for me, experimenting and playing around with all the various modifiers to see how they would effect the sound was half of the fun.

And as I mentioned before, the manual is very well-written and helpful in getting you up to speed. This deserves to be every bit as popular as Vanguard, if not moreso. Here is a demo I threw together in about 20 minutes using only factory presets and a drum loop. No external effects, compression, or EQ was used — just the sounds coming straight out of the instrument.

3 Sounds FX Collections

PDF manual can now be be viewed from within the plugin Mac. More comfortable registration processing. Smart installer for PC which automatically detects the plugin directory. Workaround for a Windows problem whenever the mouse button is clicked for a long time.

VIDEO: Gladiator v for Windows 7/Vista/XP/

Tone2 Gladiator Expanded. 2 ratings. Tone2 Gladiator Expanded . 2 Customer Ratings: 5. 1 Customer. One customer has given this product a 5-star rating. Get the guaranteed best price on Software Synths & Samplers Software like the Tone2 Gladiator 2 Expanded Synth at Musician’s Friend. Get a low price and free . Posts about gladiator 2 vst written by Mark Mosher (NewEcho).

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