Saxophone library recommendation

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Virtual instruments’ have been with us since , and the phrase is now applied routinely and rather indiscriminately to sample collections as well as individual software instruments. While samples can produce amazingly realistic results, they have marked limitations, succinctly described by Giorgio Tommasini and Peter Siedlaczek of European company Sample Modeling thus: This is particularly true for solo instruments. Synthesizers allow for greater expressiveness, but at the expense of the realism of sound. In this review, we’ll cast an ear over them all.
swam engine sax

While missing certain features like Y-axis control , these instruments have leapt ahead in realism, especially when combined with LinnStrument. For those not experienced in the minutia of MIDI myself included! Sax configuration main page Sax configuration options page For convenience, I saved presets for each saxophone in Logic Pro to avoid the process of entering the various parameters each time I use an instrument.

Your DAW may also have the ability to save instrument presets. Although designed to be played on a standard piano keyboard or with a wind controller, the Sample Modeling instruments are ideally suited for LinnStrument because you can access multiple articulations without lifting your finger off the playing surface. For realistic playing, this feature is key.

Thinking Like a Sax Player Unlike playing a note on a piano, playing a saxophone note is a complex combination of mouth and breath control and pressing the appropriate key combinations on the instrument.

Not only does the sax player need to play a particular note at a particular time, she also needs to move from one note to another musically using articulations such as slide, slur, and staccato. Realism in imitating a saxophone is more about what happens between the notes using these articulations.

Thinking like a saxophone player requires not only thinking about the notes you want to play and their duration, but how to get from one note to another. Do you want to play staccato or legato? Slur the notes? Ascend chromatically? On top of these decisions, you need to be aware of the dynamics which can be carefully controlled through breath control. Many advanced sample libraries provide these articulations through key switches e.

However, using key switching can be cumbersome and requires timing the key switching with one hand while playing with the other. What if you also want to bend the pitch? That requires another hand to move the wheel and yet another hand to change the modulation.

The LinnStrument provides one surface to achieve all of these articulations. Breath Control As a wind instrument, dynamic control of a saxophone comes from breath control. On LinnStrument, pressure is the proxy for breath control. Configuring LinnStrument Velocity and Pressure Sensitivity Reducing the pressure sensitivity was helpful for higher register playing. Breath control was the most difficult articulation to control for me because of how sensitive the virtual instrument is to changes in pressure.

Slight variations in pressure can cause unwanted squealing from the instrument. The instrument also has a very sophisticated slurring feature — if you hold down a first note and press a second note while still holding the first note, the note values will slide up chromatically in a very realistic way.

These are all monophonic instruments. At this point, I was still having difficulty fully controlling the pressure sensitivity. I suggest adjusting the pressure control on the LinnStrument to find a comfortable setting for your playing. Below is a video example in a trio context bass, drums, soprano saxophone. Here, I am using a lighter touch which helps with control of the dynamics and pitch slides.

Suggested Approach First, you will need to take the time to install the instrument and make the technical adjustments in the plug-in itself and the LinnStrument. The links above should help you with this task. There are three settings for High, Medium, and Low along the bottom row in the settings panel. Third, practice articulating between notes — staccato, sliding your finger into the next note, and the slurring feature holding down the first note and holding down a second note for the chromatic slur.

Above all, have fun! While primarily a piano and keyboard player, Jeremy has studied and played instruments including the Chapman Stick, LinnStrument, Zendrum, Eigenharp, guitar, Godin MultiOud, and trumpet.

Sound Generators

Click to expand There is a synthiness is that a word? Sound-wise, Audio Modeling products are the some of the blankest blank canvases you can have in a VI, which is not a bad thing, but it certainly puts a demand on the skills of the operator. A few suggestions for combating the synthiness: Cycle through the sax models while your project is playing. Some sax models just sound better with certain songs.


Do these ever go on sale?3. How about the SWAM engine vs Kontakt? CPU use comparable? Doesn’t look like they’re going to split them up &. SWAM Woodwinds. Saxophones, Clarinets, Double Reeds, Flutes v . NOTE: All the files belonging to the instruments (the engine application, samples, . platform SWAM Engine S. Available as a plugin (32/64 bit) for PC and Mac. to check them out in my Orchestral Template, but I hadn’t heard their Sax line.

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